Graphic Novel (Audiobook)

BIBLIOGRAPHY

Krosoczka, Jarrett J. Hey, Kiddo. Read by Jarrett Krosoczka and a full cast. New York: Scholastic Audiobooks, 2018. Unabridged, 2 hr., 50 min.

PLOT SUMMARY

Jarrett’s family life has always been a little bit out of the ordinary. As a toddler, he lived with his drug-addicted mother, Leslie, who often let strange men in the house and wasn’t very available to her three-year-old son. Joe and Shirley, Leslie’s parents, quickly stepped in to raise their grandson from his toddlerhood all the way through high school graduation. Hey, Kiddo deals with Jarrett’s childhood and teenage pain: Although Leslie makes promises of recovery, she hardly ever follows through, and Jarrett knows next to nothing about his father. But this book is also a thank-you letter to Jarrett’s grandparents: Though a little vulgar and a little prone to overdrinking, they do everything they can to make sure their grandson feels loved, and introduce him to his greatest passion, art. The book also gives thanks to Jarrett’s next-door neighbor and childhood friend, Pat; his ever-listening aunt, Holly; his art comic instructor, Mark Lynch; and his long-lost father and half siblings, the Hennessys. Although Jarrett’s childhood is full of inner turmoil against his mother, Jarrett slowly comes to a place of forgiveness and peace, eventually realizing that his mother does love him despite her imperfections. The afterward includes biographical information about Jarrett’s life after college, as well as the lives of his mother and grandparents.

CRITICAL ANALYSIS

There’s no question why this audiobook adaptation of the graphic novel has received so many awards: The listening experience is truly incredible. While fictional audiobooks include a full cast of “characters,” the cast of Hey, Kiddo is uniquely equipped to allow almost the entire voice cast to be made up of the actual people that Jarrett writes about in his memoir; this “real” cast allows listeners to truly immerse themselves in the story. Jarrett manages to find voice parts for just about everyone who is involved in his memoir. Jarrett voices himself, of course, but his friend Pat also voices himself, his aunt Holly voices herself, his long-lost father, Richard, voices himself, and even his old art teacher, Mr. Shilale, voices himself. As an added bonus, Jarrett’s daughter voices his kid self while Pat’s son voices Pat’s kid self. Even the baby noises used in the audiobook to announce Jarrett’s foray into the world are noises that Jarrett recorded from the mouth of his own newborn son! Realistic sound effects bring the story to life. Shirley’s squeals as she watches Jarrett’s runaway hamster scurry across the floor are so convincing that listeners might almost believe they are real recordings of the incident. Authentic 90s music like the Club Nouveau’s remix of “Lean On Me” also add greater depth to the audiobook experience.

But while the quality of Hey, Kiddo’s audio is phenomenal, some portions of the storytelling seem random and unfocused. Why, for example, does Jarrett include details about high school gym class and the vulgarity of the men’s locker room? Jarrett doesn’t have any life-changing moments there, and it’s no secret that high school language can be crude. Young Jarrett’s sadness about the destruction of his beloved backyard parking lot seemed equally unfocused. The anecdote doesn’t really illustrate anything about Jarrett or about anyone else. At other moments, I wish Jarrett’s storytelling had more depth. In the epilogue, Jarrett expresses his gratitude for his father and half-siblings. Yet, the story itself hardly mentions them. For most of the story, Jarrett is angry at is father or hurling expletive-filled messages his way. A deeper explanation of Jarrett’s reconciliation would have been helpful. Jarrett also mentions Leslie’s boyfriend Miguel during a few scenes, but then quietly drops him from the storyline, leaving listeners wondering where he went.

Still, while the memoir doesn’t always have focus, it does have authenticity. Jarrett’s memoir is frank—frank about Jarrett’s inner turmoil, frank about his mother’s battle with heroin, and frank about the ways he found peace with his past. Teens who have found themselves in a similar situation will feel understood, hopeful, and encouraged. Teens who haven’t had experiences like Jarrett’s will find a story that inspires empathy and awareness. Young adult librarians should find a place on their shelf for Hey, Kiddo.

AWARDS AND REVIEW EXCERPTS

Winner of AudioFile Earphones Award, 2019

Audie Award Winner, 2020

Odyssey Award Winner, 2020

Booklist Editors’ Choice: Audio for Youth, 2019

Boston Globe-Horn Book Award for Excellence in Children’s Literature Honor, 2019

National Book Award Finalist, 2018

YALSA Award for Excellence in Nonfiction for Young Adults Finalist, 2019

From AudioFile: “A full cast of more than 40 performers brings this powerful graphic novel memoir vividly to life. . . . With music, sound effects, and affecting performances, listeners feel like they are at the dinner table with him and his hard-drinking, foul-mouthed grandparents in Worcester, Massachusetts. As co-producer and co-director, Krosoczka has created a uniquely personal audiobook, casting family and friends in the production. . . . making every interaction incredibly authentic.”

From Booklist: “There have been a slew of graphic memoirs published for youth in the past couple of years, but the raw, confessional quality and unguarded honesty of Krosoczka’s contribution sets it apart from the crowd.”

CONNECTIONS

  • Jarrett Krosoczka found his voice through art and comics. After highlighting Hey, Kiddo in the teen section of the library, invite a local comic artist to give a young adult presentation about creating comics. Encourage teens to write their own comic panels. Print out comic panel handouts for teens to take home. Allow them to send in their finished panels and create an online showcase of teen’s comics on the library’s website.
  • Create a display of biographical graphic memoirs (like Hey, Kiddo) for teens to browse. The following books are possible candidates:
    • Ha, Robin. Almost American Girl. ISBN 9780062685100
    • Feder, Tyler. Dancing at the Pity Party. ISBN 9780525553021
    • Lewis, John, Andrew Aydin, and Nate Powell (illustrator). March: Book Three. ISBN 9781603094023
  • With teens, listen to part of Hey, Kiddo on audiobook. Invite teens to create their own short anecdote as an audiobook with sound effects. Then have a listening party, allowing teens to share their work with others.
  • Put out a display of some of the 2020 Audie Awards finalists including Hey, Kiddo. Then allow teens to vote on their favorite audiobooks and hold an awards ceremony for the favorite pick.
    • Berry, Julie. Lovely War. Published by Penguin Random House Audio.
    • Nazemian, Adb. Like a Love Story. Published by HarperAudio.
    • Thomas, Angie. On the Come Up. Published by HarperAudio.
    • Acevedo, Elizabeth. With the Fire on High. Published by HarperAudio.

*Note—This book review was created as an assignment for a course at Texas Woman’s University.

Newbery Award Winner

BIBLIOGRAPHY

Kelly, Erin Entrada. Hello, Universe. New York: Greenwillow Books, 2017. ISBN 97800662414151

PLOT SUMMARY

Virgil Salinas is a quiet eleven-year-old with a big heart. It’s so big that when he learns that his guinea pig, Gulliver, isn’t supposed to live alone, Virgil decides to take Gulliver in his backpack everywhere. Unfortunately for Virgil and Gulliver, there’s a bully on the loose. When Chet “the Bull” Bullens throws Virgil’s backpack down an abandoned well with Gulliver inside, Virgil immediately climbs in to rescue his friend, leaving boy and guinea pig trapped below ground. But all hope isn’t lost. While Virgil battles his fear of the dark, taking comfort in his Filipino grandmother’s folktales and a Filipino spirit that listens to Virgil’s worries, his fortune-telling friend, Kaori, realizes something is amiss when he doesn’t arrive for his scheduled psychic appointment. With her enthusiastic little sister, Gen, and her new acquaintance, animal-loving Valencia Somerset, in tow, Kaori sets off to find her lost friend and maybe prove that there’s no such thing as coincidences. Told from the perspectives of Virgil, Chet, Kaori, and Valencia, this is a story of rescue, of bravery, and of friendship.

CRITICAL ANALYSIS

The strength of Hello, Universe lies in its characters. The main character of the story is Virgil, an introvert in a family of extroverts. Unfortunately, Virgil’s parents and siblings don’t seem to understand that Virgil doesn’t like being called the shy “Turtle” in the family, and Virgil isn’t brave enough to tell them how much the nickname makes him feel like a loser. Virgil also has to go to resource room on Thursdays because he’s having trouble with math, making him the target of Chet the bully. And to top it off, Virgil has wanted to talk to the cool girl with hearing aids, Valencia Somerset, since the beginning of the school year, but he’s always been too afraid. By the book’s end, however, Virgil’s emotional growth is palpable. Virgil is about to begin a friendship with the very girl he thought he’d never be able to talk to, and he’s learned to stand up for himself, both in his interactions with Chet and with his family. Readers will appreciate the believability of Virgil’s journey and the personal resonance of the challenges he faces—bullying, shyness, and feeling alone.

While the characters in Hello, Universe come alive on the page, the plot of the story is so slow that it often feels like it has never begun. Virgil doesn’t get trapped in the well until the book is already halfway over and his friends’ quest to find him in the forest is over so quickly that the so-called “dire” situation feels cheapened by the easiness of the way. Still, while the plot is lackluster, the conclusion is not. While Virgil’s episode in the well gives him confidence to be more brave, he isn’t suddenly able to solve all of his problems. Even after Valencia herself pulls him out of the well, Virgil is too tongue-tied and embarrassed to thank her. Yet, the conclusion is both hopeful and realistic—while Virgil was too shy to talk to her in person, the ending finds him sending Valencia a text message, one that makes her smile, promising readers a friendship on the horizon.

With a shy Filipino-American boy, a deaf girl who speaks her mind, a Japanese-American girl who isn’t afraid to embrace her quirky love of all things psychic, and a bully with a backstory that inspires empathy and understanding, this story avoids stereotyping and presents real kids with unique personalities, emotions, and perspectives. Kids and adults will appreciate the characters, the conclusion, and the believability of the story. While the plot has its problems, readers will find many aspects of this story to appreciate. Erin Entrada Kelly has written a solid middle-grade.

AWARDS AND REVIEW EXCERPTS

John Newbery Award Winner, 2018

Texas Bluebonnet Award Nominee, 2018–2019

Booklist Book Review Star, 2016

Kirkus Book Review Star, 2016

From Kirkus: “The short chapters, compelling characters, and age-appropriate suspense will hook young readers immediately. . . . An original and resonant exploration of interconnectedness and friendship.”

From Booklist: “Readers will be instantly engrossed in this relatable neighborhood adventure and its eclectic cast of misfits.”

CONNECTIONS

  • Virgil’s grandma, Lola, tells him many Filipino folktales. The stories help inspire Virgil to be brave. Read some Filipino folktales together and ask middle-graders to share their favorite folktales (Filipino or from another tradition). The following book might be a good resource:
    • Romulo, Liana, and Joanne de Leon (illustrator). Filipino Children’s Favorite Stories: Fables, Myths and Fairy Tales. ISBN 9780804850216
  • Valencia looks up to Jane Goodall as her animal-loving hero. Ask middle-graders to name their heroes and, if possible, recommend books about them. Set out books about inspiring real-life heroes for middle-graders to browse. Have a hero dress-up party.
    • Schatz, Kate, and Miriam Klein Stahl (illustrator). Rad Women Worldwide. ISBN 9780399578878
    • McGovern, Ann. Native American Heroes. ISBN 9780545467209
    • Norwood, Arlisha. Black Heroes. ISBN 9781641527040
  • Erin Entrada Kelly has written several award-winning books. Read Erin’s bio on her website (www.erinentradakelly.com/bio/) to middle-graders, and give a short introduction to some of her other books:
    • Kelly, Erin Entrada. We Dream of Space. ISBN 9780062747303
    • Kelly, Erin Entrada. Blackbird Fly. ISBN 9780062238610
    • Kelly, Erin Entrada. Lalani of the Distant Sea. ISBN 9780062747273
  • Put out a display of some of the 2018–2019 Texas Bluebonnet finalists including Hello, Universe. Then allow middle-graders to vote on their favorite title and hold an awards ceremony for the favorite pick.
    • Khan, Hena. Amina’s Voice. ISBN 9781481492065
    • Engle, Margarita, and Rafael López (illustrator). Bravo!: Poems About Amazing Hispanics. ISBN 9780805098761
    • Acampora, Paul. How to Avoid Extinction. ISBN 9780545899062
    • Gratz, Alan. Refugee. ISBN 9780545880831

*Note—This book review was created as an assignment for a course at Texas Woman’s University.

Michael Printz YA Award Honor Book

BIBLIOGRAPHY

Stiefvater, Maggie. The Scorpio Races. New York: Scholastic Press, 2011. ISBN 9780545224901

PLOT SUMMARY

Every year, people come flocking to the little island of Thisby to watch men and their horses compete in the Scorpio Races. But these horses aren’t like other race horses. Scorpio horses are a bloodthirsty, wild species called capall uisce, predators that migrate once a year from their underwater homes onto Thisby’s shores. The man who wins the Scorpio Races takes home a hefty sum, but many of his competitors will die before they reach the finish line, prey to the dangerous animals. So when Kate Connelly, better known as Puck, decides to enter the race as the first female competitor and the first competitor to ride a farm pony rather than a capall uisce, she creates quite a stir on the island. Despite attempts to dissuade the fiery teen, Puck enters the races, hoping to save both her home and her wayward older brother. Sean Kendrick, another competitor, is a four-time Scorpio Races champion. Yet, Sean—a loner and an orphan—still doesn’t have the one prize he desires most of all: Corr, the capall uisce that he rides every year, owned by the richest man on the island. Striking a bargain, Sean agrees that if he wins this year, Corr will be his, but if he doesn’t, the offer is off . . . forever. Both teens have everything to lose in the Scorpio Races, but when the two form an unlikely alliance, they realize an uncomfortable truth: only one of them can win.

CRITICAL ANALYSIS

The strength of The Scorpio Races lies in its characters. Puck is fiery and independent, unwaveringly loyal to her family and unafraid to speak her mind. Sean is quiet but passionate, wholly committed to Corr and perceptive to the horses under his charge. While both characters had every reason to be bitter—both have lost parents to the cappall and live unglamorous lives—both characters rise to meet their challenges and find beauty in unlikely places, in the island and in the cappall. Readers will cheer Puck on as she battles blatant sexism and continues training for the races, despite a few near-death encounters. Readers will cheer Sean on as he confronts those who have used his talents for their own gain. Although Puck and Sean don’t always make the right decisions, their decisions never seem childish or frivolous. Puck and Sean are written well, and readers will wait in breathless anticipation for the Scorpio Races to finally begin and for the destinies of the heroic pair to be revealed.

The Scorpio Races also sets itself apart with its highly detailed descriptions of the island of Thisby. The book begins, “Even under the brightest sun, the frigid autumn sea is all the colors of the night: dark blue and black and brown.” Readers will feel the chilly November air and hear the haunting call of the cappall uisce. The dark, gritty setting invites readers to immerse themselves in the island’s danger, mystery, and intrigue. Readers will understand Gabe’s insistent desire to leave the island and never return and Puck’s insistent desire to stay on the island forever. The setting also helps to convey an important theme: Puck loves the island wholeheartedly, even though loving the island can be dangerous and includes the possibility of pain. Love can be painful, but only by loving and hurting can Puck experience joy.

But if readers pick up this book hoping to read an action-packed racing story, they’re sure to be disappointed. While the plot is certainly creative, it trots along slowly and steadily, only galloping during the last fifty pages. Instead of high-speed chases and gory passages, the book is full of introspection, unhurried relationships, and a series of quiet events that gradually build into a heart-stopping finale. This story is focused on creating developed characters, not on creating a brisk plot. Still, the right readers will be thoroughly captivated by this novel and its perfectly bittersweet ending. The Scorpio Races is highly recommended to teens who enjoy character-driven stories, descriptive settings, and a dash of fantasy.

AWARDS AND REVIEW EXCERPTS

Michael L. Printz Award Honor Book, 2012

Odyssey Award Honor Book, 2012

Mythopoeic Fantasy Award for Children’s Literature Finalist, 2012

From Kirkus: “Masterful. Like nothing else out there now.”

From Booklist: “A book appealing to lovers of fantasy, horse stories, romance, and action-adventure alike, this seems to have a shot at being a YA blockbuster.”

CONNECTIONS

  • After reading The Scorpio Races, invite teens to draw their own depictions of the cappall uisce, the island of Thisby, the characters, or any other subject inspired by the book. Put up a gallery of the finished artwork.
  • Ask teens to decide whether they would choose to leave Thisby like Gabe or stay on the island like Puck. Team Gabe should discuss reasons why Gabe is right to go and Team Puck should discuss reasons why Puck is right to stay. Then hold a friendly debate.
  • Set out a teen book display featuring other books written by Maggie Stiefvater, such as the following:
    • Stiefvater, Maggie. Call Down the Hawk. ISBN 9781338188325
    • Stiefvater, Maggie. The Raven Boys. ISBN 9780545424929
    • Stiefvater, Maggie, Brenna Yovanoff, and Tessa Gratton. The Curiosities: A Collection of Stories. ISBN 9780761375272
  • Put out a display of all the 2012 Mythopoeic Fantasy Award for Children’s Literature finalists including Scorpio Races. Then allow middle-graders and teens to vote on their favorite title and hold an awards ceremony for the favorite pick.
    • Sherman, Delia. The Freedom Maze. ISBN 9781931520300
    • Mantchev, Lisa. Eyes Like Stars. ISBN 9780312380960
    • Pierce, Tamora. Terrier. ISBN 9780375814686
    • Valente, Catherynne M. The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making. ISBN 9780312649616

*Note—This book review was created as an assignment for a course at Texas Woman’s University.