A Poetry Book by Margarita Engle

1. Bibliography

Engle, Margarita, and Rafael López (illustrator). 2017. Bravo!: Poems About Amazing Hispanics. New York: Henry Holt and Company. ISBN 9780805098761

2. Plot Summary

Beginning with Juan de Miralles, a Cuban born in 1713, and moving through the 1800s with Mexicans, Cubans, and Puerto Ricans, and into the late 1900s with Mexicans, Puerto Ricans, an El Salvadorian, and a Venezuelan, winner of the Nobel Prize in medicine in 1980, writer Margarita Engle pens short but stunning poetic portraits of both famous Hispanics and Hispanics whose contributions have mostly been hidden from the public eye. From politicians to priests and healers to healthy recipe writers, the cast of characters in Bravo! demonstrates the diversity of the Hispanic community. Illustrator Rafael López has contributed illustrations that use both digital and painterly elements to create eye-catching visuals to match Engle’s powerful text. The front of the book includes a letter to readers from Engle and the end includes notes about the lives of each of the eighteen Hispanics highlighted in the picture book.

3.  Critical Analysis

As Margarita Engle explains in her introductory letter to readers, “this is not a book about the most famous Hispanics.” Truly, Engle looks far and wide to create a picture book that shines with the diversity of the movers and shakers that are highlighted in this winning picture book. Readers may be familiar with the names of some Hispanics found in Bravo!—Cuban poet José Martí, for example, or nonviolent protestor César Chávez. But readers probably won’t recognize the names of Hispanics like Aída de Acosta, the world’s first woman pilot, or Ynés Mexía, a botanist that collected an impressive number of new plant species in Mexico and South America. With men and women; rich and poor; Cubans, Puerto Ricans, and Mexicans; and cowboys, librarians, and baseball players, this book truly celebrates the diversity of the Hispanic culture. López’s illustrations also reflect the diversity within the Hispanic world with portraits of heroes and heroines of diverse skin and hair colors, dress, and economic status.

The quality of Engle’s poetry is just as commendable as the diversity of the Hispanics she’s chosen. Although she only has the single page of a picture book spread to explain each amazing Hispanic, Engle finds a way to convey the importance of each life with powerful simplicity. Juana Briones, for example, leaves her cruel husband after he hits her, and—though the 1800s were not kind to single women—survives “as a rancher and healer,” healing others with medicinal plants and “healing [her]self / with independence.” López compliments Engle’s powerful prose with powerful visuals. On the spread dedicated to Juana Briones, he draws a hand with plants blooming within it. While the hand was once the symbol of an abusive spouse—a hand of hurting—Juana decided to turn her own hands into hands of healing. With such a high caliber of poetry and illustrations, Bravo! provides ample fodder for discussion in classrooms, libraries, and homes. This is a must-have for any library dedicated to diversity.

4. Rewards and Review Excerpts

New York Public Library’s 100 Titles for Reading and Sharing List, 2017, Poetry and Song

Tejas Star Reading List, 2018–2019

Américas Award for Children’s and Young Adult Literature, 2018, Commended Title

From Bulletin: “Eighteen Latinos who made their marks in the New World are featured in verses in their own voices attesting to their achievements and their struggles. . . . López’s full page, mixed-media portraiture captures both the nobility and humanity of his subjects. . .”

From CCBC: “Biographical poems introduce 18 Hispanics whose lives, notes author Margarita Engle, range from some who were celebrated in their lifetimes but have been forgotten by history, to others who achieved lasting fame. Even the shortest poems provide a brief but intriguing sense of their subjects lives and accomplishments while nurturing readers desire to learn more. . . Gorgeous full-page portraits of each subject incorporate elements of the work for which they were known, while inspired spot illustrations add to the volume’s beauty.”

5. Connections

Ask children (ages 8 to 12) to read through Bravo! on their own, and then discuss which of the amazing Hispanics stood out to them. Dividing children into groups, asking each group to do a little more research on one of the Hispanics highlighted in the book. Invite children to present their research at an “Amazing Hispanics” night.

Create a display of children’s books written by Margarita Engle, such as the following selections:

  • The Surrender Tree: Poems of Cuba’s Struggle for Freedom. ISBN 9780805086744
  • Enchanted Air. ISBN 9781481435222
  • Mountain Dog. ISBN 9780805095166
  • Hurricane Dancers: The First Caribbean Pirate Shipwreck. ISBN 9780805092400
  • The Drum Dream Girl. ISBN 9781520018171
  • All the Way to Havana. ISBN 9781627796422

*Note—This book review was created as an assignment for a course at Texas Woman’s University.

A Poetry Book by David Bowles

1. Bibliography

Bowles, David. 2017. They Call Me Güero: A Border Kid’s Poems. El Paso, TX: Cinco Puntos Press. ISBN 9781947627062

2. Plot Summary

The book’s protagonist and first-person narrator, Güero (a Spanish nickname that means “pale skinned”), is a redheaded, freckle faced twelve-year-old Mexican American border kid with a penchant for poetry. The nerdy seventh grader, born of an American father and a Mexican mother, guides readers through the holidays, school days, family gatherings, oral traditions, and superstitions that fill his year. Güero, with his heart on his sleeve, even writes about his foray into the world of love with tough-girl Joanna who can call off the bullies with her tenacious spirit. This interlingual book of poetry includes the forms of haiku, sonnet, lullaby, music lyric, free verse, and a multitude of others. The book also includes a translated glossary of many of the Spanish words and phrases used throughout the story.

3.  Critical Analysis

In David Bowles’s book about a border kid, stereotypes are nonexistent. In fact, Güero’s poetry points out time and time again that Mexican Americans are not a monolith. Despite the fact that Güero is born of a Mexican mother and a father with skin that’s “deep brown like mesquite bark,” the boy has skin that’s “pasty white, covered in freckles.” Being Mexican American doesn’t mean Güero’s family only likes one type of music either. When Güero considers his family’s musical preferences, readers observe a wide variety of musical tastes: Grandma Manuel likes conjunto, Tío Mike is a Tejano fan, great-uncle Juan likes rock’n’roll, Tía Vero prefers disco, Uncle Danny’s a rap guy, Dad and Joe prefer country, Güero’s sister is into K-pop, reggae, and blues, and Güero likes a little bit of everything. Furthermore, people of many cultures live at the border: “Dominicans, / Koreans, Mexicans, Chicanos, / Black and Native. . .”

Bowles’s refreshingly non-stereotypical characters still hold their Latine culture close. Güero’s intergenerational family ties are deep and strong, as illustrated through his poetry. The boy credits his abuela’s stories, told as she sat in her rocking chair, as the fodder, “like larvae in a chrysalis,” for his storytelling passion. Latine family gatherings are also frequent and important. Christmas Eve day is the time to gather all the relatives, “my mother and her concuñas” plus tías and primas and even the great-grandmother, for tamale-making and all the male relatives for football-watching; and the Fourth of July is a day full of family, quesadillas, music, laughter, and singing (and maybe a little troublemaking too). Marriage and Easter Mass are similarly family-centric and always include just about everybody in the extended family too.

Bowles also entwines the narrative with food—bacon, atole, tacos, shrimp, grapefruit, pizza, raspa, tamales, takis—immersing readers in Güero’s world (a world that often pairs food with family). Interlingual texts that peppers the poetry (Spanish mingling with English) bring the world in which Güero chats “with strangers and friends in both languages” into even sharper focus. Truly, there’s no question that Bowles’s story bursts with authenticity. Readers will find themselves strolling down to the movies with Güero and his crew, the taste of takis on the tongue. Perfect for poetry fans and middle-graders looking for an entertaining slice-of-life, They Call Me Güero is a no-brainer addition to any children’s library.

4. Rewards and Review Excerpts

Tomàs Rivera Mexican American Children’s Book Award, 2019, Winner

Américas Award for Children’s and Young Adult Literature, 2019, Commended Title

Cybils Awards, 2018, Nominee, Poetry

Pura Belpré Award, 2019, Honor, Author

From Kirkus: “In this slim verse novel, Bowles splendidly translates border life via loosely connected vignettes in an eclectic mix of poetic forms.”

From Booklist: “Filled with Spanish dichos and terms, diverse cultures, and Mexican myths, this novel in poems is a clear lens into the life of a Mexican American boy with an identity tied to the struggles, legends, and rich heritage of his ancestors and family, who uses what he learns to move forward.”

5. Connections

There are several poetic forms found in They Call Me Güero— haiku, sonnet, lullaby, music lyric, free verse, and a multitude of others. Show middle-graders to describe their Sundays (like Güero does in his poem “Sundays”) using one of the poetic forms found in the book. If middle-graders feel comfortable, ask them to share their completed poems.

Create a display of They Call Me Güero and other Tomás Rivera Children’s Book Award winners, which may include some of the following selections:

  • Morales, Yuyi. Dreamers. ISBN 9780823440559
  • Tonatiuh, Duncan. Feathered Serpent and the Five Suns: A Mesoamerican Creation Myth. ISBN 9781419746772
  • Quintero, Isabel. My Papi Has a Motorcycle. ISBN 9780525553410
  • Pérez, Celia C. The First Rule of Punk. ISBN 9780425290408
  • Sánchez, Erika L. I Am Not Your Perfect Mexican Daughter. ISBN 9781524700485
  • Stork, Francisco X. The Memory of Light. ISBN 9780545474320

*Note—This book review was created as an assignment for a course at Texas Woman’s University.

A Novel by Nikki Grimes

1. Bibliography

Grimes, Nikki. 2019. Ordinary Hazards: A Memoir. Honesdale, PA: WordSong. ISBN 978-1-62979-881-3

2. Plot Summary

In Ordinary Hazards: A Memoir told in verse, Nikki Grimes recounts her own personal history from her birth in 1950 until her mid-teenagerhood in 1966. Grimes’s story is one of great trauma. As the second child of a marriage doomed to fail, Nikki remembers lots of yelling. When her father moves out, Nikki’s alcoholic, schizophrenic mother goes to find a job, leaving Nikki and her older sister, Carol, in the hands of an abusive “babysitter” who locks the girls in the closet until just before their mother gets home in the evening. A little later, when their mom can’t seem to make ends meet, Nikki and Carol move in with cousins who “shoot up” regularly. Foster care, splitting Nikki and Carol apart, comes quickly thereafter. It is while staying with her foster family that Nikki learns the power of the pen to calm her fears and manage her burdens. When Nikki returns to her mother, she is beset by gang violence, sexual abuse, racism, and the death of a loved one. Yet, while her childhood is traumatic, Nikki finds her footing with her writing, her religious convictions, and the support of her sister, her writing teacher, and her best friend Debra. The end of Grimes’s memoir includes personal photographs from various periods of her childhood and young adulthood.

3.  Critical Analysis

There’s no doubt about it: Nikki Grimes has the gift of language. From page one, readers will want to invest in the story of the woman whose name is a lie, her first “invention” to protect herself from the real name that “wasn’t worth a lot.” Nikki quickly reveals the book’s title in an early poem, “On Our Own,” writing that she was never warned that “the world was full of / ordinary hazards / like closets with locks and keys.” For Nikki, a key becomes an “ordinary hazard” that locks her in a closet for hours on end while to an outside observer, a key appears to be an object of security just like mothers and grandmothers are supposed to be people of security (although for Nikki, they’re not) and bedrooms are supposed to be places of security (although for Nikki, it’s not).

Yet, while Nikki’s “ordinary hazards” provoke readers to horror, her adolescent life—though exceedingly difficult—is punctuated by what Nikki sees as God’s grace. For her, “hard evidence appears / round every corner.” It’s in the Christian church that Nikki is drawn to that leads her to her best friend, Debra. It’s in her reacquaintance with her father who becomes Nikki’s ally and confidante. It’s in her metamorphosis, as the slip cover shows, of a pitiful black moth—blurry on the edges—into a striking butterfly of neon light revealed underneath. Readers will come away from Nikki’s trauma-filled story full of that same hope she feels as an aspiring poet when the famous writer James Baldwin reads her writing, looks her in the eye, and asks her to give him a call.

African American culture plays a part in Nikki’s formation. Through it, she experiences deep trauma: For example, in June 1964, she mourns the “white-hooded devils” who killed black men like Chaney, Goodman, and Schwerner, and she’s physically scarred when she refuses to join a neighborhood gang. But through her culture, she also experiences deep peace: attending the Convent Avenue Baptist Church, dubbed a “Black church” by Nikki, brings her the family she’d never had and gives her the strength to “brave the darkness at home, once again.” Her father teaches Nikki about Black history, Black painters, Black musicians, and Black writers, allowing Nikki to see “Black so beautiful,” and to dream of herself as a singer, a dancer, and a writer. Never before have I read a book so unapologetically candid about both the negative and the positive aspects of a culture.

Nikki Grimes’s book invites readers of all backgrounds to rise above their difficulties and cultivate their talents. Raw, gripping, and packing a powerful poetic punch, Ordinary Hazards deserves a place on every young adult shelf. Highly recommended.

4. Rewards and Review Excerpts

Cybils Awards, 2019, Finalist, Poetry

Michael L. Printz Award, 2020, Honor

Robert F. Sibert Informational Book Medal, 2020, Honor

Horn Book Fanfare Title, 2020, Nonfiction

From Kirkus: “Grimes recounts her story as a memoir in verse, writing with a poet’s lyricism through the lens of memory fractured by trauma. Fans of her poetry and prose will appreciate this intimate look at the forces that shaped her as an artist and as a person determined to find the light in the darkest of circumstances. A raw, heartbreaking, and ultimately uplifting story of trauma, loss, and the healing power of words.”

From Booklist: “The memoir has heartbreaking moment—seven soul-crushing ones—that will make readers ache for young Grimes and teens grappling with similar circumstances. But inspiring moments bolster her raw, resonant story, showing that there is always light at the end of the darkest of tunnels.”

5. Connections

Ordinary Hazards is a memoir told in verse. Invite teens to write a few memoir poems of their own. Then invite them to share their poems in an online library showcase if comfortable.

Create a display of Ordinary Hazards and other children/YA books written by Nikki Grimes, such as the following selections:

  • One Last Word. ISBN 9781619635548
  • Garvey’s Choice. ISBN 9781501964695
  • Bronx Masquerade. ISBN 9780803725690
  • Words With Wings. ISBN 9781590789858
  • Off to See the Sea. ISBN 9781492638292
  • Legacy: Women’s Poets of the Harlem Renaissance. ISBN 9781681199450

*Note—This book review was created as an assignment for a course at Texas Woman’s University.

A Novel by Jacqueline Woodson

1. Bibliography

Woodson, Jacqueline. 2020. Before the Ever After. New York: Penguin Random House. ISBN 9780399545436

2. Plot Summary

Playing pro football made ZJ’s dad a hero. Daddy is “Zachariah 44,” the famous scorer, the Super Bowl winner, the darling of the press. But lately, he’s been acting strange. Daddy’s forgetting things—famous football players’ names, his own teammates’ names, even ZJ’s name—he’s experiencing horribly painful migraines that leave him bedridden, and sometimes he’s even yelling at ZJ, something he never used to do. ZJ is baffled at first, then shocked, then scared. Why can’t doctors fix Daddy, turning him from this puzzling new man back into the football-loving, music-jamming, kind, and encouraging man that he used to be? Luckily, ZJ has his family, “his boys,” and his music to keep him grounded despite his family’s devastating new reality. Set in the late ‘90s, this family drama written in verse sheds light on CTE, a degenerative brain disease affecting football players (and their families) that remains woefully understudied.

3.  Critical Analysis

Before the Ever After tells the story of one eleven-year-old Black boyas he watches a football-inflicted brain injury change his father forever. Told through Woodsen’s lyrical free verse, ZJ’s easygoing-turned-heartbreaking son-father relationship holds its readers transfixed, especially since it’s clear that ZJ, the protagonist and first-person narrator of the story, loves and admires his father and that his father loves and admires ZJ back. When asked whether his dad is his hero, ZJ replies that “Zachariah 44” is more than a hero. His dad is ZJ’s “every single thing.” The two jam out to music and bond over Tupac, Beastie Boys, and Rufus Wainwright. Daddy also becomes like a second father to Ollie, one of ZJ’s best friends. So when ZJ’s father becomes unresponsive, angry, and indecipherable, readers will feel the family’s—and especially ZJ’s—immense sadness and loss. Middle-graders probably won’t have experienced the devastation of CTE in their own home, but they will understand the connection that ZJ yearns to feel with his father and the bittersweetness of losing him over and over again.

ZJ is a believable middle-grade protagonist. His story feels authentic to 1999, from the ‘90s music he jams to (like Prince, Public Enemy, Digable Planets) and the hang-outs he enjoys as part of his group of friends (which he dubs the “Fantastic Four”) to the old pop culture references mentioned by his dad (like The Partridge Family, Minnie Riperton, and Earth, Wind & Fire). He’s also a believable Black character, although Black culture’s place in the novel is discreet, rather than overt. Skin color, for example, is only signaled in the text once when ZJ describes his “daddy’s brown hand” and on the cover art showing ZJ riding on his father’s shoulders. However, reader’s will note that ZJ’s mom believes in God and converses with Him as she tries to understand the reason for her husband’s condition. They will also note that the extended family is important to ZJ’s family dynamic. ZJ is in close contact with grandmothers, cousins, and various aunts and uncles who jump in to help his struggling family. In ZJ’s home, Christianity and the extended family carry immense value and weight.

Although not a “happily ever after” story, Jacqueline Woodson has written a lyrical novel that that takes a powerful stand on football, head trauma, and the rights of athletes. Readers won’t soon forget this one. Before the Ever After would make a great addition to any middle school collection. Highly recommended.

4. Rewards and Review Excerpts

Coretta Scott King Book Award, 2021, Author Winner

Cybils Award, 2020, Middle Grade Fiction Nominee

Goodreads Choice Award, 2020, Middle Grade Nominee

Kirkus Best Middle Grade Books, 2020

Booklist Book Review Star, 2020

From Booklist: “Woodson again shows herself to be a masterful writer, and her meaningful exploration of concussions and head injuries in football, a subject rarely broached in middle-grade fiction, provides young athletes with necessary insights into sport’s less glamorous side. In addition to this, it is a novel that explores family, mental illness, and the healing that a tight-knit, loving community can provide.”

From Kirkus: “Using spare and lyrical language for ZJ’s present-tense narration, which moves back and forth through time, Woodson skillfully portrays the confusion, fear, and sadness when a family member suffers from brain injury and the personality changes it brings. . . . The well-rounded secondary characters complete a mosaic of a loving African American family and their community of friends. . . . A poignant and achingly beautiful narrative shedding light on the price of a violent sport.”

5. Connections

Music plays a large role in ZJ’s life and in his relationship with his father. Play September by Earth, Wind & Fire and Memory Lane by Minnie Riperton, and I Will Always Love You by Whitney Houston, asking middle graders to listen to the lyrics. Then ask them why these songs might be important to ZJ. Ask middle graders to think about what songs are meaningful to them and, if appropriate, allow them to share their selections with the group.

Create a display of Jacqueline Woodson’s books. This selection might include the following:

  • Coming on Home Soon. ISBN 9780399237485
  • Visiting Day. ISBN 9780590552622
  • Brown Girl Dreaming. ISBN 9780399252518
  • Locomotion. ISBN 9780399231155
  • Show Way. ISBN 9780399237492
  • The Other Side. ISBN 9780399231162

*Note—This book review was created as an assignment for a course at Texas Woman’s University.

A Book by Kadir Nelson

1. Bibliography

Nelson, Kadir. 2011. Heart and Soul: The Story of America and African Americans. New York: Balzer + Bray. ISBN 978-0-06-173074-0

2. Plot Summary

Written in the voice of an African American senior who talks to her audience as if she’s talking to her own grandchildren, Heart and Soul tells the extensive history of the African American people. The story begins with the exportation of African laborers, slavery, abolition, the Civil War, Reconstruction, westward expansion, the Great Migration, and the Harlem boom, and goes on to detail the history of African Americans in World War II, Jim Crow, civil rights, and—most recently—the election of the first African American president. This 100-page monument to the strength of the African American people is written in twelve chapters, with detailed oil paintings accompanying the written history on every page. The book also includes an author’s note, an extensive timeline and bibliography, and a handy index in the back.

3.  Critical Analysis

Kadir Nelson takes pride in his heritage, a pride that is apparent in his striking illustrations of strong-willed African Americans—people like Frederick Douglas, Harriet Tubman, and even sharecroppers and schoolteachers who, though treated unfairly, stand up nobly and seem to look the reader in the eye. Nelson’s focus on the faces of his subjects allows readers to feel a sense of personal connection to the African Americans of history and respect their dignity, even in appalling circumstances.

Though Kadir Nelson’s story explains heavy topics like the founding fathers’ views on slavery, the animalistic treatment of slaves, and the Klu Klux Klan, the tone of the story’s narrator is matter-of-fact—never contemptuous or bitter. The reason to tell the tale is, in the words of this grandmotherly storyteller, to “know where you come from so you can move forward” and to “make the American promise of life, liberty, and the pursuit of happiness a reality for all Americans.” This isn’t a book of anger, although parts of it will rightly make readers angry. It’s a book to educate, to uplift, and to make sure history doesn’t repeat itself.

The book wears Black culture on its sleeve, shown most strikingly through its notable use of “oral speak”— the African American senior narrates her story as if her readers are her own grandchildren gathered around her knee. When she notes that the white colonists decided to rebel against English because they didn’t want to be slaves to the king, she says (with a wry hint of irony in her voice that’s almost palpable), “Chile, what in the world could they ever know about that?” Her authentic pseudo-oral narration pays tribute to the African American oral tradition of storytelling, passing down wisdom and history from generation to generation, even when reading and writing was relegated only to the white folks.

The first illustration of Heart and Soul is a painting of scores of Americans of all colors, races, genders, and religions, linking arms around an American flag. Nelson’s point, shown through his words and illustrations, is clear: America and its citizens are best when all of us stand together.

A book that allows children to gain a more nuanced perspective of American history, Heart and Soul is a must-have history book for children in higher elementary and middle school.

4. Rewards and Review Excerpts

Cybils Award, 2011, Nominee, Children’s Nonfiction

YALSA Award for Excellence in Nonfiction for Young Adults, 2012, Nominee

White Ravens Award, 2012, Winner, United States

NPR’s Book Concierge Pick, 2011, Kids

From Kirkus: In an undertaking even more ambitious than the multiple-award-winning We Are the Ship (2008), Nelson tells the story of African-Americans and their often central place in American history. . . . This intimate narrative makes the stories accessible to young readers and powerfully conveys how personal this history feels for many African-Americans.”

From Booklist: “Nelson, the creator of We Are the Ship (2008), recipient of both a Coretta Scott King Author Award and a Robert F. Siebert Medal, adds to his notable titles with this powerful view of African American history.”

5. Connections

Create a display of nonfiction African American history books for children and young adults, such as the following selections:

  • Crowe, Chris. Getting Away with Murder: The True Story of the Emmett Till Case. ISBN 9780451478726
  • Beals, Melba Pattillo. Warriors Don’t Cry. ISBN 9780671899004
  • Bridges, Ruby. This Is Your Time. ISBN 9780593378557
  • Lewis, John, Andrew Aydin, and Nate Powell. March: Book Three. ISBN 9781603094023

Create a display of Heart and Soul and other books written and/or illustrated by Kadir Nelson, such as the following selections:

  • We Are the Ship: The Story of Negro League Baseball. ISBN 9780786808328
  • Nelson Mandela. ISBN 9780061783746
  • He’s Got the Whole World in His Hands. ISBN 9780803728509
  • Levine, Ellen. Henry’s Freedom Box. ISBN 9780439777339
  • Alexander, Kwame. The Undefeated. ISBN 9781328780966
  • Napoli, Donna Jo. Mama Miti. ISBN 9781416935056

*Note—This book review was created as an assignment for a course at Texas Woman’s University.

An USBBY Outstanding International Book

1. Bibliography

Parr, Maria. 2018. Astrid the Unstoppable. Somerville, MA: Candlewick Press. ISBN 978-1-5362-0017-1

2. Plot Summary

Astrid is unstoppable. She may be the only child in the small, rural town of Glimmerdal, but that’s not going to stop the fiery young heroine from having fun. Even though he’s seventy-four years old, Gunnvald—Astrid’s godfather—is her best friend and partner in crime. Together, the two have grand adventures. They come up with the best sled design for soaring down the snowy Norwegian mountainside and find the most effective way to round up Gunnvald’s misbehaving ram. Gunnvald knows everything about Astrid, and Astrid knows everything about Gunnvald—at least, she thinks she does. But when Gunnvald receives an unexpected letter with news about some woman Astrid has never heard off, Astrid learns there may be much more to Gunnvald’s past than she’d thought: things like a lover, a long-lost daughter, and a devastating mistake. Can Astrid help Gunnvald to right his past wrongs? And after finding out how much Gunnvald has hidden from her, does she really want to?

Translated from the original Norwegian, Astrid the Unstoppable is a heartwarming friendship story that centers around Astrid’s relationship with Gunnvald, Gunnvald’s relationship with his long-lost daughter, Heidi, and Heidi’s relationship with Astrid. The emphasis of the story is on family and belonging.

3.  Critical Analysis

Characters are front and center in this charming little middle-grade novel. Astrid, our heroine, is a dynamic young character, on par with Anne Shirley in the personality department. The unstoppable “little thunderbolt of Glimmerdal” is funny, obnoxious, loving, and thoughtful. She may not win over everyone in her small town with her loud personality, but she certainly wins over the reader, whether she’s getting into a fist fight with the town’s newest visitors or kidnapping Heidi’s dog to use as leverage in her plot to save Gunnvald’s farm. Whatever Astrid thinks up next is going to be big and a little crazy, but it’s always going to come from the noblest of intentions.

Gunnvald is just as loveable, despite his pretended grouchiness. It’s clear that the old man cherishes his relationship with his little red-haired lioness, and listens to her suggestions (which children will delight to see), notwithstanding the fact that he’s more than sixty years her senior. And it’s a good thing too—Astrid cheers Gunnvald on (and sometimes yells him on) as he attempts to patch up his relationship with his daughter, ask for her forgiveness, and find hope to believe that she still loves him. Children will stand beside Astrid and cheer Gunnvald on as he does his best to reach out to Heidi again.

Astrid’s story, an USBBY honor title, contains several Norwegian markers. Gunnvald and the other old men in the town delight in a Norwegian tobacco substance called “snus” (or “disgusting snus” if you’re talking to Astrid), the characters often eat foods like reindeer meatballs and venison stew, and special emphasis is placed on Christmas and Easter celebrations. But while the Norwegian setting, language, foods, and religious preferences may be new to some readers, all children will find ways to relate to the book’s themes of friendship and family. Most children may not be best friends with their seventy-four-year-old godfather, but they will understand Astrid’s loyalty to her friend despite his flaws and the betrayal she feels when she learns that he’s been keeping secrets from her. They’ll also understand Astrid’s yearning to spend more time with her mother (who’s usually off in Greenland checking rising water levels for her job) and Heidi’s yearning to be loved by both her parents.

Whether you’re eight or seventy-four, you’ll find lots to love in Astrid the Unstoppable. This would make a great addition to any late elementary or early middle-school collection looking for more international titles and more sweet friendship stories. Highly recommended.

4. Rewards and Review Excerpts

Amazon Editors’ Picks: Best Books of the Year, 2018 (Ages 6-8)

Booklist Book Review Stars, 2018

USBBY Outstanding International Books, 2019 (Grades 3-5)

From Booklist: “Drama and humor are interwoven throughout the well-paced narrative, which transports readers to a distinctive locale and introduces vividly drawn, memorable characters. . . Norwegian writer Parr, whose Adventures with Waffles (2013) has been translated into many languages, offers another original chapter book with a strong sense of place and international appeal.”

From Horn Book Magazines: “The action scenes are riveting, but it’s the relationships that deepen the story and make it memorable. Although there’s no missing the homages to Heidi (Gunnvald resembles Spyri’s novel’s grandfather; Gunnvald’s daughter is named Heidi; and Astrid reads Heidi throughout) and Pippi Longstocking (with Astrid’s flaming red hair, self-confidence, and almost-an-orphan independence, not to mention her shared first name with Pippi’s author), Parr (Adventures with Waffles) has crafted a fresh and original tale, all her own.”

5. Connections

The book Heidi plays a large role in Astrid the Unstoppable and book reviewers have also noted many parallels between Astrid and Pippi Longstocking. After reading this book as part of a book club or read-aloud program, read excerpts of Heidi and Pippi Longstocking, looking for similarities between the main characters. You might also suggest that children watch the movie adaptations of Heidi and Pippi.

Create a display of Astrid and other children’s books set in Norway, such as Hilda and the Troll, Adventures with Waffles, D’Aulaires’ Book of Trolls, The Three Billy Goats Gruff, Locked in Ice: Nansen’s Daring Quest for the North Pole, and Doctor Proctor’s Fart Powder.

  • Pearson, Luke. Hilda and the Troll. ISBN 9781909263789
  • Parr, Maria. Adventures with Waffles. ISBN 9781536203660
  • D’Aulaire, Ingri. D’Aulaires’ Book of Trolls. ISBN 9781590172179
  • Asbjørnsen, Peter Christen. The Three Billy Goats Gruff. ISBN 9780816430802
  • Lourie, Peter. Locked in Ice: Nansen’s Daring Quest for the North Pole. ISBN 9781250137647
  • Nesbø, Jo. Doctor Proctor’s Fart Powder. ISBN 9781416979722

A Picture Book by Mem Fox

1. Bibliography

Fox, Mem, and Julie Vivas. 1983. Possum Magic. San Diego: Harcourt Brace & Company. ISBN 0-15-200572-2

2. Plot Summary

Hush and Grandma are two possums living in the Australian bush. To the amazement of all the other animals living there—kangaroos, kookaburras, and dingos included—Grandma Poss can do magic. She can even turn Hush invisible, keeping her safe from snakes and allowing her to have fun doing all sorts of silly shenanigans. Unfortunately, Grandma Poss forgets the magic to undo Hush’s spell. When she finally remembers it, Grandma Poss realizes that the two will have to take a culinary tour around Australia to make the poor little possum visible again. The back page of the book includes definitions of Australian (culinary) terms and a map of the Aussie cities that the possums visit on their journey.

3.  Critical Analysis

As someone who lived in Australia for two years, the “spell-breaking” foods introduced by Grandma Poss put a smile on my face. Many of them are Aussie classics—Anzac biscuits, Vegemite sandwiches, pavlova, lamingtons—and after I’d finished reading, I immediately felt the urge to bake my own lamingtons pronto. Mem Fox’s food tour has done what all good books do: it inspires action! I also appreciated the glossary of Australian terms found the in the back of the book, helping readers like me who aren’t quite sure what “mornay” is. According to the glossary, it’s “a supper dish of fish in white sauce, topped with bread crumbs and browned in the oven.” (Are you salivating yet?) In short, what a fun idea to write a book celebrating Australian animals, Australian cities, and Australian food all in one go!

I do wish that the illustrations put a little more emphasis on the fun foods the possums are eating. The pavlova is hardly recognizable sitting on an umbrella in the distance, similar to the only slightly visible packet of Anzac bickies in the cinema. But while the food illustrations feel a little underdone, I love that Julie Vivas’s illustrations highlight the unique Australian wildlife—possums, wombats, echidna, emu—you name it, she’s drawn it into the story, much to the delight of young readers.

I also wish the storyline were a little stronger. It seems almost as though Mem Fox threw together a jumble of three different storylines—one about Grandma Poss’s magic, one about Hush’s invisibility, and one about the Australian food tour—making the story less cohesive. Still, Mem Fox knows how to write a fun, if slightly forgettable, yarn, and Julie Vivas knows how to draw irresistible bush animals. All in all, Possum Magic is a book worth reading.

4. Rewards and Review Excerpts

International Board on Books for Young People (IBBY) Honor List, 1986, Winner, Illustration

Kids Own Australian Literature Awards (KOALA), 1987, Winner, Primary

From Bookbird: “Another treat from Mem Fox that is sure to be treasured. The whimsical illustrations are a wonderful complement.”

From Children’s Literature: “The book provides a warm, wonderful first exploration of Australia!”

5. Connections

Ask children to brainstorm what Hush would eat if she came to your local city. Have the children present their answers to the group. Then have a food party complete with some of the Australian treats mentioned in Possum Magic and some of your own local food “magic.”

Create a display of Possum Magic and other children’s books set in Australia, such as the following selections:

  • Morrison, Yvonne. The Emu That Laid the Golden Egg. ISBN 9781921894008
  • Lai, Remy. Pie in the Sky. ISBN 9781250314093
  • Hameister, Jade. Polar Explorer. ISBN 9781250317681
  • Marshall, James Vance. Stories from the Billabong. ISBN 9781845077044
  • Coote, Maree. Robyn Boid: Architect. ISBN 9780992491741
  • Fox, Mem. I’m an Immigrant Too!. ISBN 9781534436022

A Batchelder Award Novel

1. Bibliography

Lee, Uk-Bae. 2019. When Spring Comes to the DMZ. Walden, NY: Plough Publishing House. ISBN 978-0-87486-972-9

2. Plot Summary

In When Spring Comes to the DMZ, one boy’s grandfather—living in South Korea—goes to the observatory at the edge of the DMZ (also known as the “demilitarized zone,” a razor wire barrier that was put in place in 1954, separating North Korea from South Korea), peering at the wildlife thriving within its razor wire walls and at the armies manning the fence without. The boy and his grandfather go to the observatory each season, longing for the tightly locked gates to open and to see long-lost family members that are still trapped on the North Korean side of the divide. The final pages explain the DMZ, the Korean divide, and Uk-Bae Lee’s (and many other Koreans’) hope for the future.

3.  Critical Analysis

Uk-Bae Lee’s illustrations carry a powerfully poignant message starting with the end papers in the very beginning of the book. There’s a map of the world, all in the same whitish hue except for a jagged red scar running through the middle of the Korean Peninsula. Immediately, Lee’s illustrations draw attention to that mottled area. Lee’s clever drawings don’t stop with the end pages, though. The title page includes a picture of the DMZ lookout glasses through which readers will “view” the DMZ wilderness on the next page spread with the grandfather, searching the far end of the razor wire barrier to try to catch a glimpse of what lies beyond.

Later spreads show peaceful animals unaffected by the barrier between North and South Korea, free to roam where they choose, while the soldiers that guard the border are—ironically—exhausted and locked out. The final spread of the story, when the grandfather flings open the tightly locked gates of the DMZ and joyfully reunites with lost loved ones from other side, packs a powerful punch. This is the only part of the story that isn’t describing what Grandfather is doing and seeing through his lookout glasses. Instead, it describes what he wants to do. The joyous family reunion that Grandfather wants so much is not yet a reality, but the beautifully imagined scene that Lee has drawn, uniting two aged brothers that haven’t seen each other in over 50 years, is so touching that readers will long for an end to the DMZ just like Grandfather. The final end pages reveal that the jagged red scar running through the middle of the Korean Peninsula has vanished. Again, the removal of the DMZ is not yet a reality, but a DMZ-less world is so appealing that it invites readers to want it too.

This picture book also offers something unique to picture book readers because it isn’t a historical story about a South Korean tragedy of long ago. No, this is a tragedy that is taking place in real time. The boy in the story is not a relic of the past but a modern 21st century kid, going on a seasonal outing with his grandfather, making him relatable to children across the globe who are reading his story. Still, while the divide is a heavy topic, Lee navigates When Spring Comes to the DMZ with grace, offering an ending that will leave children sad but hopeful. A book that allows children to understand a current global event affecting thousands of Koreans while inspiring empathy, When Spring Comes to the DMZ is a must-have picture book.

4. Rewards and Review Excerpts

Mildred L. Batchelder Award, 2020, Honor

Kirkus Best Picture Books, 2019

From Kirkus Review:“The cupboard is nearly bare of children’s books about the DMZ, making this an excellent introduction to the crises on the Korean Peninsula as well as a great choice for social justice collections, peace promoters, and animal lovers.”

From Booklist: “Highly detailed illustrations in watercolor and pencil capture the softness of Grandfathers heart and the exuberance of wildlife that grows without bounds. Back matter provides a brief explanation of the Korean War and the pain of the separated populations with eerie timeliness.”

5. Connections

Create a display of antiwar books for an elementary-age audience, such as the following selections:

  • Winter, Jeanette. The Librarian of Basra: A True Story from Iraq. ISBN 9780152054458
  • Mochizuki, Ken, and Dom Lee (illustrator). Passage to Freedom: The Sugihara Story. ISBN 9781584301578
  • Coerr, Elizabeth. Sadako and the Thousand Paper Cranes. ISBN 9780698118027
  • Long, Michael L., and Carlos Vélez (illustrator). Three Lines in a Circle: The Exciting Life of the Peace Symbol. ISBN 9781646981960

Create a display of When Spring Comes to the DMZ and other children’s books set in South Korea, such as the following selections:

  • Cho, Tina. The Ocean Calls. ISBN 9781984814869
  • Kim, So-un. Three Korean Fairy Tales. ISBN 9780804852272
  • Park, Linda Sue. A Single Shard. ISBN 9780547534268
  • Oh, Ellen. Finding Junie Kim. ISBN 9780062987983
  • Cheung, Hyechong, and Prodeepta Das. K is for Korea. ISBN 9781845077891
  • Lee, JiHyeon. Pool. ISBN 9781452142944

Graphic Novel (Audiobook)

BIBLIOGRAPHY

Krosoczka, Jarrett J. Hey, Kiddo. Read by Jarrett Krosoczka and a full cast. New York: Scholastic Audiobooks, 2018. Unabridged, 2 hr., 50 min.

PLOT SUMMARY

Jarrett’s family life has always been a little bit out of the ordinary. As a toddler, he lived with his drug-addicted mother, Leslie, who often let strange men in the house and wasn’t very available to her three-year-old son. Joe and Shirley, Leslie’s parents, quickly stepped in to raise their grandson from his toddlerhood all the way through high school graduation. Hey, Kiddo deals with Jarrett’s childhood and teenage pain: Although Leslie makes promises of recovery, she hardly ever follows through, and Jarrett knows next to nothing about his father. But this book is also a thank-you letter to Jarrett’s grandparents: Though a little vulgar and a little prone to overdrinking, they do everything they can to make sure their grandson feels loved, and introduce him to his greatest passion, art. The book also gives thanks to Jarrett’s next-door neighbor and childhood friend, Pat; his ever-listening aunt, Holly; his art comic instructor, Mark Lynch; and his long-lost father and half siblings, the Hennessys. Although Jarrett’s childhood is full of inner turmoil against his mother, Jarrett slowly comes to a place of forgiveness and peace, eventually realizing that his mother does love him despite her imperfections. The afterward includes biographical information about Jarrett’s life after college, as well as the lives of his mother and grandparents.

CRITICAL ANALYSIS

There’s no question why this audiobook adaptation of the graphic novel has received so many awards: The listening experience is truly incredible. While fictional audiobooks include a full cast of “characters,” the cast of Hey, Kiddo is uniquely equipped to allow almost the entire voice cast to be made up of the actual people that Jarrett writes about in his memoir; this “real” cast allows listeners to truly immerse themselves in the story. Jarrett manages to find voice parts for just about everyone who is involved in his memoir. Jarrett voices himself, of course, but his friend Pat also voices himself, his aunt Holly voices herself, his long-lost father, Richard, voices himself, and even his old art teacher, Mr. Shilale, voices himself. As an added bonus, Jarrett’s daughter voices his kid self while Pat’s son voices Pat’s kid self. Even the baby noises used in the audiobook to announce Jarrett’s foray into the world are noises that Jarrett recorded from the mouth of his own newborn son! Realistic sound effects bring the story to life. Shirley’s squeals as she watches Jarrett’s runaway hamster scurry across the floor are so convincing that listeners might almost believe they are real recordings of the incident. Authentic 90s music like the Club Nouveau’s remix of “Lean On Me” also add greater depth to the audiobook experience.

But while the quality of Hey, Kiddo’s audio is phenomenal, some portions of the storytelling seem random and unfocused. Why, for example, does Jarrett include details about high school gym class and the vulgarity of the men’s locker room? Jarrett doesn’t have any life-changing moments there, and it’s no secret that high school language can be crude. Young Jarrett’s sadness about the destruction of his beloved backyard parking lot seemed equally unfocused. The anecdote doesn’t really illustrate anything about Jarrett or about anyone else. At other moments, I wish Jarrett’s storytelling had more depth. In the epilogue, Jarrett expresses his gratitude for his father and half-siblings. Yet, the story itself hardly mentions them. For most of the story, Jarrett is angry at is father or hurling expletive-filled messages his way. A deeper explanation of Jarrett’s reconciliation would have been helpful. Jarrett also mentions Leslie’s boyfriend Miguel during a few scenes, but then quietly drops him from the storyline, leaving listeners wondering where he went.

Still, while the memoir doesn’t always have focus, it does have authenticity. Jarrett’s memoir is frank—frank about Jarrett’s inner turmoil, frank about his mother’s battle with heroin, and frank about the ways he found peace with his past. Teens who have found themselves in a similar situation will feel understood, hopeful, and encouraged. Teens who haven’t had experiences like Jarrett’s will find a story that inspires empathy and awareness. Young adult librarians should find a place on their shelf for Hey, Kiddo.

AWARDS AND REVIEW EXCERPTS

Winner of AudioFile Earphones Award, 2019

Audie Award Winner, 2020

Odyssey Award Winner, 2020

Booklist Editors’ Choice: Audio for Youth, 2019

Boston Globe-Horn Book Award for Excellence in Children’s Literature Honor, 2019

National Book Award Finalist, 2018

YALSA Award for Excellence in Nonfiction for Young Adults Finalist, 2019

From AudioFile: “A full cast of more than 40 performers brings this powerful graphic novel memoir vividly to life. . . . With music, sound effects, and affecting performances, listeners feel like they are at the dinner table with him and his hard-drinking, foul-mouthed grandparents in Worcester, Massachusetts. As co-producer and co-director, Krosoczka has created a uniquely personal audiobook, casting family and friends in the production. . . . making every interaction incredibly authentic.”

From Booklist: “There have been a slew of graphic memoirs published for youth in the past couple of years, but the raw, confessional quality and unguarded honesty of Krosoczka’s contribution sets it apart from the crowd.”

CONNECTIONS

  • Jarrett Krosoczka found his voice through art and comics. After highlighting Hey, Kiddo in the teen section of the library, invite a local comic artist to give a young adult presentation about creating comics. Encourage teens to write their own comic panels. Print out comic panel handouts for teens to take home. Allow them to send in their finished panels and create an online showcase of teen’s comics on the library’s website.
  • Create a display of biographical graphic memoirs (like Hey, Kiddo) for teens to browse. The following books are possible candidates:
    • Ha, Robin. Almost American Girl. ISBN 9780062685100
    • Feder, Tyler. Dancing at the Pity Party. ISBN 9780525553021
    • Lewis, John, Andrew Aydin, and Nate Powell (illustrator). March: Book Three. ISBN 9781603094023
  • With teens, listen to part of Hey, Kiddo on audiobook. Invite teens to create their own short anecdote as an audiobook with sound effects. Then have a listening party, allowing teens to share their work with others.
  • Put out a display of some of the 2020 Audie Awards finalists including Hey, Kiddo. Then allow teens to vote on their favorite audiobooks and hold an awards ceremony for the favorite pick.
    • Berry, Julie. Lovely War. Published by Penguin Random House Audio.
    • Nazemian, Adb. Like a Love Story. Published by HarperAudio.
    • Thomas, Angie. On the Come Up. Published by HarperAudio.
    • Acevedo, Elizabeth. With the Fire on High. Published by HarperAudio.

*Note—This book review was created as an assignment for a course at Texas Woman’s University.

Newbery Award Winner

BIBLIOGRAPHY

Kelly, Erin Entrada. Hello, Universe. New York: Greenwillow Books, 2017. ISBN 97800662414151

PLOT SUMMARY

Virgil Salinas is a quiet eleven-year-old with a big heart. It’s so big that when he learns that his guinea pig, Gulliver, isn’t supposed to live alone, Virgil decides to take Gulliver in his backpack everywhere. Unfortunately for Virgil and Gulliver, there’s a bully on the loose. When Chet “the Bull” Bullens throws Virgil’s backpack down an abandoned well with Gulliver inside, Virgil immediately climbs in to rescue his friend, leaving boy and guinea pig trapped below ground. But all hope isn’t lost. While Virgil battles his fear of the dark, taking comfort in his Filipino grandmother’s folktales and a Filipino spirit that listens to Virgil’s worries, his fortune-telling friend, Kaori, realizes something is amiss when he doesn’t arrive for his scheduled psychic appointment. With her enthusiastic little sister, Gen, and her new acquaintance, animal-loving Valencia Somerset, in tow, Kaori sets off to find her lost friend and maybe prove that there’s no such thing as coincidences. Told from the perspectives of Virgil, Chet, Kaori, and Valencia, this is a story of rescue, of bravery, and of friendship.

CRITICAL ANALYSIS

The strength of Hello, Universe lies in its characters. The main character of the story is Virgil, an introvert in a family of extroverts. Unfortunately, Virgil’s parents and siblings don’t seem to understand that Virgil doesn’t like being called the shy “Turtle” in the family, and Virgil isn’t brave enough to tell them how much the nickname makes him feel like a loser. Virgil also has to go to resource room on Thursdays because he’s having trouble with math, making him the target of Chet the bully. And to top it off, Virgil has wanted to talk to the cool girl with hearing aids, Valencia Somerset, since the beginning of the school year, but he’s always been too afraid. By the book’s end, however, Virgil’s emotional growth is palpable. Virgil is about to begin a friendship with the very girl he thought he’d never be able to talk to, and he’s learned to stand up for himself, both in his interactions with Chet and with his family. Readers will appreciate the believability of Virgil’s journey and the personal resonance of the challenges he faces—bullying, shyness, and feeling alone.

While the characters in Hello, Universe come alive on the page, the plot of the story is so slow that it often feels like it has never begun. Virgil doesn’t get trapped in the well until the book is already halfway over and his friends’ quest to find him in the forest is over so quickly that the so-called “dire” situation feels cheapened by the easiness of the way. Still, while the plot is lackluster, the conclusion is not. While Virgil’s episode in the well gives him confidence to be more brave, he isn’t suddenly able to solve all of his problems. Even after Valencia herself pulls him out of the well, Virgil is too tongue-tied and embarrassed to thank her. Yet, the conclusion is both hopeful and realistic—while Virgil was too shy to talk to her in person, the ending finds him sending Valencia a text message, one that makes her smile, promising readers a friendship on the horizon.

With a shy Filipino-American boy, a deaf girl who speaks her mind, a Japanese-American girl who isn’t afraid to embrace her quirky love of all things psychic, and a bully with a backstory that inspires empathy and understanding, this story avoids stereotyping and presents real kids with unique personalities, emotions, and perspectives. Kids and adults will appreciate the characters, the conclusion, and the believability of the story. While the plot has its problems, readers will find many aspects of this story to appreciate. Erin Entrada Kelly has written a solid middle-grade.

AWARDS AND REVIEW EXCERPTS

John Newbery Award Winner, 2018

Texas Bluebonnet Award Nominee, 2018–2019

Booklist Book Review Star, 2016

Kirkus Book Review Star, 2016

From Kirkus: “The short chapters, compelling characters, and age-appropriate suspense will hook young readers immediately. . . . An original and resonant exploration of interconnectedness and friendship.”

From Booklist: “Readers will be instantly engrossed in this relatable neighborhood adventure and its eclectic cast of misfits.”

CONNECTIONS

  • Virgil’s grandma, Lola, tells him many Filipino folktales. The stories help inspire Virgil to be brave. Read some Filipino folktales together and ask middle-graders to share their favorite folktales (Filipino or from another tradition). The following book might be a good resource:
    • Romulo, Liana, and Joanne de Leon (illustrator). Filipino Children’s Favorite Stories: Fables, Myths and Fairy Tales. ISBN 9780804850216
  • Valencia looks up to Jane Goodall as her animal-loving hero. Ask middle-graders to name their heroes and, if possible, recommend books about them. Set out books about inspiring real-life heroes for middle-graders to browse. Have a hero dress-up party.
    • Schatz, Kate, and Miriam Klein Stahl (illustrator). Rad Women Worldwide. ISBN 9780399578878
    • McGovern, Ann. Native American Heroes. ISBN 9780545467209
    • Norwood, Arlisha. Black Heroes. ISBN 9781641527040
  • Erin Entrada Kelly has written several award-winning books. Read Erin’s bio on her website (www.erinentradakelly.com/bio/) to middle-graders, and give a short introduction to some of her other books:
    • Kelly, Erin Entrada. We Dream of Space. ISBN 9780062747303
    • Kelly, Erin Entrada. Blackbird Fly. ISBN 9780062238610
    • Kelly, Erin Entrada. Lalani of the Distant Sea. ISBN 9780062747273
  • Put out a display of some of the 2018–2019 Texas Bluebonnet finalists including Hello, Universe. Then allow middle-graders to vote on their favorite title and hold an awards ceremony for the favorite pick.
    • Khan, Hena. Amina’s Voice. ISBN 9781481492065
    • Engle, Margarita, and Rafael López (illustrator). Bravo!: Poems About Amazing Hispanics. ISBN 9780805098761
    • Acampora, Paul. How to Avoid Extinction. ISBN 9780545899062
    • Gratz, Alan. Refugee. ISBN 9780545880831

*Note—This book review was created as an assignment for a course at Texas Woman’s University.