A Graphic Novel by an Asian American Author

1. Bibliography

Takei, George, Justin Eisinger, Steven Scott, and Harmony Becker (illustrator). 2020. They Called Us Enemy: Expanded Edition. San Diego: Top Shelf Productions. ISBN 9781684068821

2. Plot Summary

George Takei, a Japanese American actor most famous for his stint in Star Trek as Captain Sulu, uses the graphic novel format to convey childhood memories of his family’s incarceration along with more than 120,000 Japanese Americans in military camps across the U.S. After the attack on Pearl Harbor and by order of President Franklin D. Roosevelt, all persons of Japanese ancestry were considered enemies to America, were taken from their homes with only the possessions they could fit in their suitcase, and were placed in these camps. Japanese Americans would stay locked inside for the next four years. When Takei’s family finally got out, his parents had to rebuild a new life from scratch, having lost their home and livelihood to Roosevelt’s executive order.

Takei’s graphic novel also shows how he rose up from the difficult post-internment adjustment to become a top-notch actor, activist, and influencer in America. While Takei’s biography is punctuated by his young self’s sweet naivete (for example, when young George and his family were trained from California to their first internment camp in Arkansas, his mother told him they were going on “vacation”), Takei also narrates the story through the lens of his current understanding of the difficulties faced by his parents and other detainees before, during, and after their incarceration (for example, the racial and political prejudice Japanese Americans faced, the misplaced guilt they felt after their incarceration, and the government’s erasure of their incarceration story). Takei ends his novel with a beautiful reconciliatory experience in which he visits Franklin D. Roosevelt’s home to deliver a speech about the hope he feels in America, despite its problems, and with a warning for readers to remember the unjust incarceration of Japanese Americans so that we don’t the incarceration of the innocent again.

3.  Critical Analysis

I read the highly acclaimed March graphic novels two years ago, the trilogy about John Lewis, I didn’t think I’d ever find another book that was quite as detailed, historically accurate, authentic, and thought-provoking. Lucky for me, I was wrong. They Called Us Enemy is just as detailed, historically accurate, authentic, and thought-provoking as March was. George Takei’s graphic novel memoir is something exceptional.

While there has been a recent push to retell the Japanese American internment story, many newly published books on the subject have fallen flat because the authors are not the ones who experienced it. Takei did experience it firsthand, adding powerful authenticity to his story. Though his memories are those of an optimistic child who didn’t fully understand internment (i.e. the giant barbed wire fence around their new “home” is to keep the dinosaurs away), Takei reflects on his memories these many years later with wiser eyes and clearer understanding of events (i.e. his father didn’t leave work because he had a stomachache, but because he didn’t want to shake hands with Eleanor Roosevelt, the wife of the man who had imprisoned his family).

Other newly published books have also fallen flat because they don’t seem well researched. Takei and his coauthors have gone the extra mile to tell the story of Japanese American incarceration with depth. Not only do readers learn that President Franklin D. Roosevelt signed Executive Order 9066 seventy-four days after Pearl Harbor, but readers also learn about Lt. General John L. Dewitt who said, “a Jap is a Jap. . . it makes no difference whether he is theoretically an American citizen,” and Senator Tom Stewart who told his American listeners that “they [Japanese Americans] cannot be assimilated. There is not a single Japanese in this country who would not stab you in the back.” This deep retelling allows readers to understand how Executive Order 9066 was passed, why it was passed, and why it should never be allowed to happen again. Its depth provides thought-provoking fodder for reflecting, analyzing, and responding to the event and thinking through events happening today. Still, displaying an amazing degree of forgiveness and fairness despite his family’s four year incarceration, Takei also highlights the good things that President Roosevelt did during his presidency, showing his nuanced understanding of one of America’s political leaders. Takei presents Roosevelt as the complex person that he was with both weaknesses and strengths.

Takei also does a great job fleshing out his fellow Japanese Americans. Some of the others in internment camps only spoke Japanese, some—like Takei’s mother—spoke limited English, and some—like his father—spoke English fluently. Some were Japanese immigrants, some were issei (first-generation Japanese Americans), some were nisei (second-generation), and some were sansei (third-generation). Some answered the infamous mandatory camp questionnaires with “yeses,” determined to join the American troops during World War II, and some–like Takei’s parents—refused, becoming “no-nos” and being sent to the “disloyal” internment camp. Japanese Americans are certainly not a monolith in Takei’s memoir.

In displaying his own Japanese American internment story, Takei has inspired a new generation of Americans to think deeply about the damage that stereotyping can do, and the difference that just one person can make for bad or for good. While this isn’t the only Japanese American internment story being told today, it is one of the best. If you don’t yet have this book on your shelf, you should. Highly recommended.   

4. Rewards and Review Excerpts

Asian Pacific American Award for Literature, 2020, Winner, Young Adult Literature

Cybils Awards, 2019, Finalist, Graphic Novels (Young Adult)

Booklist Editors’ Choice: Adult Books for Young Adults List, 2019, Nonfiction

Kirkus Best Young Adult Books List, 2019

From Publishers Weekly: “Giving a personal view into difficult history, Takei’s work is a testament to hope and tenacity in the face of adversity.”

From Booklist: “Takei, together with Justin Eisinger and Steven Scott, interweaves scenes of his adult realizations and reflections, as well as key speeches and historical events of the period, among the accounts of his childhood, which is very effective at providing context for those memories. . . . This approachable, well-wrought graphic memoir is important reading, particularly in today’s political climate. Pair with John Lewis’ acclaimed March series for a thought-provoking, critical look at the history of racism in American policies and culture.”

5. Connections

They Called Us Enemy pairs well with John Lewis’s March trilogy. Read both, discussing similarities and differences between Lewis’s and Takei’s experiences. Why is it important for us to learn about these two series of events in our country’s history? Which stories from each book were the most memorable to you? What is your biggest takeaway from reading these books?

After reading They Called Us Enemy, watch an episode or two of the original Star Trek series starring Takei. Why do you think Takei wanted to be cast in Star Trek so badly? Why do you think it continues to be such a popular franchise today? What underlying message did you learn from the episode(s) you watched?

Graphic Novel (Audiobook)

BIBLIOGRAPHY

Krosoczka, Jarrett J. Hey, Kiddo. Read by Jarrett Krosoczka and a full cast. New York: Scholastic Audiobooks, 2018. Unabridged, 2 hr., 50 min.

PLOT SUMMARY

Jarrett’s family life has always been a little bit out of the ordinary. As a toddler, he lived with his drug-addicted mother, Leslie, who often let strange men in the house and wasn’t very available to her three-year-old son. Joe and Shirley, Leslie’s parents, quickly stepped in to raise their grandson from his toddlerhood all the way through high school graduation. Hey, Kiddo deals with Jarrett’s childhood and teenage pain: Although Leslie makes promises of recovery, she hardly ever follows through, and Jarrett knows next to nothing about his father. But this book is also a thank-you letter to Jarrett’s grandparents: Though a little vulgar and a little prone to overdrinking, they do everything they can to make sure their grandson feels loved, and introduce him to his greatest passion, art. The book also gives thanks to Jarrett’s next-door neighbor and childhood friend, Pat; his ever-listening aunt, Holly; his art comic instructor, Mark Lynch; and his long-lost father and half siblings, the Hennessys. Although Jarrett’s childhood is full of inner turmoil against his mother, Jarrett slowly comes to a place of forgiveness and peace, eventually realizing that his mother does love him despite her imperfections. The afterward includes biographical information about Jarrett’s life after college, as well as the lives of his mother and grandparents.

CRITICAL ANALYSIS

There’s no question why this audiobook adaptation of the graphic novel has received so many awards: The listening experience is truly incredible. While fictional audiobooks include a full cast of “characters,” the cast of Hey, Kiddo is uniquely equipped to allow almost the entire voice cast to be made up of the actual people that Jarrett writes about in his memoir; this “real” cast allows listeners to truly immerse themselves in the story. Jarrett manages to find voice parts for just about everyone who is involved in his memoir. Jarrett voices himself, of course, but his friend Pat also voices himself, his aunt Holly voices herself, his long-lost father, Richard, voices himself, and even his old art teacher, Mr. Shilale, voices himself. As an added bonus, Jarrett’s daughter voices his kid self while Pat’s son voices Pat’s kid self. Even the baby noises used in the audiobook to announce Jarrett’s foray into the world are noises that Jarrett recorded from the mouth of his own newborn son! Realistic sound effects bring the story to life. Shirley’s squeals as she watches Jarrett’s runaway hamster scurry across the floor are so convincing that listeners might almost believe they are real recordings of the incident. Authentic 90s music like the Club Nouveau’s remix of “Lean On Me” also add greater depth to the audiobook experience.

But while the quality of Hey, Kiddo’s audio is phenomenal, some portions of the storytelling seem random and unfocused. Why, for example, does Jarrett include details about high school gym class and the vulgarity of the men’s locker room? Jarrett doesn’t have any life-changing moments there, and it’s no secret that high school language can be crude. Young Jarrett’s sadness about the destruction of his beloved backyard parking lot seemed equally unfocused. The anecdote doesn’t really illustrate anything about Jarrett or about anyone else. At other moments, I wish Jarrett’s storytelling had more depth. In the epilogue, Jarrett expresses his gratitude for his father and half-siblings. Yet, the story itself hardly mentions them. For most of the story, Jarrett is angry at is father or hurling expletive-filled messages his way. A deeper explanation of Jarrett’s reconciliation would have been helpful. Jarrett also mentions Leslie’s boyfriend Miguel during a few scenes, but then quietly drops him from the storyline, leaving listeners wondering where he went.

Still, while the memoir doesn’t always have focus, it does have authenticity. Jarrett’s memoir is frank—frank about Jarrett’s inner turmoil, frank about his mother’s battle with heroin, and frank about the ways he found peace with his past. Teens who have found themselves in a similar situation will feel understood, hopeful, and encouraged. Teens who haven’t had experiences like Jarrett’s will find a story that inspires empathy and awareness. Young adult librarians should find a place on their shelf for Hey, Kiddo.

AWARDS AND REVIEW EXCERPTS

Winner of AudioFile Earphones Award, 2019

Audie Award Winner, 2020

Odyssey Award Winner, 2020

Booklist Editors’ Choice: Audio for Youth, 2019

Boston Globe-Horn Book Award for Excellence in Children’s Literature Honor, 2019

National Book Award Finalist, 2018

YALSA Award for Excellence in Nonfiction for Young Adults Finalist, 2019

From AudioFile: “A full cast of more than 40 performers brings this powerful graphic novel memoir vividly to life. . . . With music, sound effects, and affecting performances, listeners feel like they are at the dinner table with him and his hard-drinking, foul-mouthed grandparents in Worcester, Massachusetts. As co-producer and co-director, Krosoczka has created a uniquely personal audiobook, casting family and friends in the production. . . . making every interaction incredibly authentic.”

From Booklist: “There have been a slew of graphic memoirs published for youth in the past couple of years, but the raw, confessional quality and unguarded honesty of Krosoczka’s contribution sets it apart from the crowd.”

CONNECTIONS

  • Jarrett Krosoczka found his voice through art and comics. After highlighting Hey, Kiddo in the teen section of the library, invite a local comic artist to give a young adult presentation about creating comics. Encourage teens to write their own comic panels. Print out comic panel handouts for teens to take home. Allow them to send in their finished panels and create an online showcase of teen’s comics on the library’s website.
  • Create a display of biographical graphic memoirs (like Hey, Kiddo) for teens to browse. The following books are possible candidates:
    • Ha, Robin. Almost American Girl. ISBN 9780062685100
    • Feder, Tyler. Dancing at the Pity Party. ISBN 9780525553021
    • Lewis, John, Andrew Aydin, and Nate Powell (illustrator). March: Book Three. ISBN 9781603094023
  • With teens, listen to part of Hey, Kiddo on audiobook. Invite teens to create their own short anecdote as an audiobook with sound effects. Then have a listening party, allowing teens to share their work with others.
  • Put out a display of some of the 2020 Audie Awards finalists including Hey, Kiddo. Then allow teens to vote on their favorite audiobooks and hold an awards ceremony for the favorite pick.
    • Berry, Julie. Lovely War. Published by Penguin Random House Audio.
    • Nazemian, Adb. Like a Love Story. Published by HarperAudio.
    • Thomas, Angie. On the Come Up. Published by HarperAudio.
    • Acevedo, Elizabeth. With the Fire on High. Published by HarperAudio.

*Note—This book review was created as an assignment for a course at Texas Woman’s University.