Tag: Traditional Tale

A Traditional Tale Caldecott Honor Book

BIBLIOGRAPHY

Isaacs, Anne, and Paul O. Zelinsky (illustrator). Swamp Angel. New York: Dutton Children’s Books, 1994. ISBN 9780140559088

PLOT SUMMARY

The plucky heroine of Swamp Angel, Angelica Longrider, is born extraordinary. As a newborn, she’s taller than her mother, and at age two she builds her first log cabin. But giant Angelica doesn’t stop there. The girl—dubbed “Swamp Angel” at the tender age of twelve after rescuing some muck-mired Tennesseans—becomes the beloved champion of the Tennessee frontier. So when a big bad bear called Thundering Tarnation starts stealing winter rations out of poor settler’s food cellars, Swamp Angel signs up to hunt the beast down. Although every other hunter fails to catch the varmint, Angel isn’t deterred. When she finally spots him, Angel and the bear grapple in a fight for the ages, grabbing tornados like lassos, throwing each other into the sky, and creating such a stir that the Great Smoky Mountains are formed. Finally, Tarnation falls down dead at Angel’s feet and Tennesseans celebrate, receiving bear meat enough to fill their food cellars to bursting point. Careful stargazers can still see the legacy of Angel and Tarnation’s fight: the vague outline of a bear thrown into the heavens twinkling up in the night sky.

CRITICAL ANALYSIS

Swamp Angel is a truly exceptional tale. A great deal of the story’s charm comes from Isaacs’s mastery of the spoken language of the frontier. Tarnation the bear is deemed a “varmint” and Swamp Angel is “much obliged” for the pelt of this “most wondrous heap of trouble.” Isaacs writes flawlessly with the casual exaggeration characteristic of the tall tale narrative. “There was nothing about the child,” she nonchalantly begins, “to suggest that she would become the greatest woodswoman in Tennessee” although the newborn is bigger than her mother and is given a shiny new ax for a cradle toy. In fact, the writing fits the tall tale mold so well, readers will find themselves wondering whether this story was actually penned by Isaacs or whether she first heard the tale from an old Tennessean relative.

Furthermore, the details of the illustrations make the story come to life. Readers will notice that some of the hunters standing in line with Angel (e.g. the angry man with the bee-infested bucket of molasses and the smug man holding his giant bear trap) are the same hunters that Tarnation defeats just a page later. Readers will take note of the details of the settlers’ dress—Angel in her apron and bonnet, trappers in coonskin caps, and gentlemen in top hats. They might even spot Swamp Angel’s small but mighty red hound dog who follows her around on almost every page. Even more importantly, Zelinsky’s illustrations turn the tall tale even taller—the huge bodies of Angel and Tarnation fight across vast mountain ranges, drink up entire lakes of water, and pull down every last tree in the forest with their snores. Zelinsky’s illustrations of epic proportions pair perfectly with Isaacs’s larger-than-life heroine, making this book the perfect addition to any picture book collection.

AWARDS AND REVIEW EXCERPTS

Caldecott Medal Nominee (1995)

Pennsylvania Young Readers’ Choice Award for Grades 3–6 (1997)

An ALA Notable Book (1995)

A New York Times Best Illustrated Children’s Book of the Year (1994)

Winner of the Boston Globe/Horn Book Award (1995)

Texas Bluebonnet Award Nominee (1996–1997)

From The Horn Book:“Move over Paul Bunyan, you are about to meet Swamp Angel. . . . Visually exciting, wonderful to read aloud, this is a picture book to remember.”

From Publishers Weekly: “Zelinsky’s stunning American-primitive oil paintings, set against an unusual background of cherry, maple and birch veneers, frankly steal the show here. Their success, however, does not diminish the accomplishment of Isaacs, whose feisty tall tale marks an impressive picture-book debut.”

CONNECTIONS

  • Read Swamp Angel to introduce a unit on American pioneers and life on the frontier with excerpts from other children’s books:
    • Tunis, Edward. Frontier Living: An Illustrated Guide to Pioneer Life in America. ISBN 9781585741373
    • Greenwood, Barbara, and Heather Collins. A Pioneer Sampler: The Daily Life of a Pioneer Family in 1840. ISBN 9780395883938
  • Learn about the clothing worn by the settlers in Swamp Angel and bring settler clothing for children to try on.
  • Read Swamp Angel in tandem with other tall tales:
    • Keats, Ezra Jack. John Henry: An American Legend. ISBN 9780812459463
    • Kellogg, Steven. Pecos Bill: A Tall Tale. ISBN 9780688140205
    • Houran, Lori H., and Luke Flowers (illustrator). The Tale of Paul Bunyan. ISBN 978-1984851796
  • Read Swamp Angel with other Caldecott nominees of 1995. Have a class vote to decide which one “wins” the class nomination.
    • Bunting, Eve, and David Díaz (illustrator). Smoky Night. ISBN 9780152018849
    • Rohmann, Eric. Time Flies. ISBN 9780517885550
    • Lester, Julius, and Jerry Pinkney (illustrator). John Henry. ISBN 9780140566222

*Note—This book review was created as an assignment for a course at Texas Woman’s University.

A Picture Book Version of The Three Little Pigs

BIBLIOGRAPHY

Salinas, Bobbi. The Three Pigs/Los Tres Cerdos: Nacho, Tito and Miguel. Spanish version written by Amapola Franzen and Marcos Guerrero. Oakland, CA: Piñata Publications, 1998. ISBN 0934925054

PLOT SUMMARY

In the beginning of this southwestern retelling, piglets and sow bid each other a tearful adios as the boys decide to strike out on their own. Mamá leaves her three pigs with a warning: watch out for José, the wily wolf. The first pig, Nacho, finds a good plot of land and makes himself a desert home out of straw, but—as in the original tale—José the wolf is quick to blow his house down. The unfortunate Nacho is then locked in a pigpen, awaiting suppertime when he’ll be made into delicious carnitas or chicharrons. Nacho’s brother, Tito, doesn’t fare much better after building his house out of wood. But Miguel, the third brother who builds his house out of adobe, keeps José at bay. The wicked wolf tries various tricks to fool Miguel into coming outside, but Miguel gets the better of José each time. The wolf is finally so angry at being outsmarted that he climbs down Miguel’s chimney to eat up the smug pig. Unfortunately for José, Miguel has his famous hot green chile stew boiling at the chimney’s bottom. After performing first aid and showing a sad-looking burnt wolf to the door, Miguel frees his brothers and they sit down to a delicious dinner.

CRITICAL ANALYSIS

Los Tres Cerdos is an excellent retelling of the original “Three Little Pigs.” Like its predecessor, the book includes the trademark elements of straw, wood, and brick; of one naughty wolf; of huffing and puffing and blowing houses down; and of not opening the door by the hairs of the pigs’ “chinny-chin-chins.” Yet the book also retells the tale with its own unique flair, adding clever new additions like “No way, José,” chicharron pig snacks, and Miguel’s hot green chile stew. Furthermore, the Spanish words and translations are spot on, and the book includes an index to help readers gain additional insights into the Spanish words and southwestern cultural images found in the illustrations and dialogue.

And speaking of the illustrations, Salinas’s detailed naïve style adds fantastic depth to her retelling. Observant readers will be able to use context clues from household items to note that Nacho is a piano player, that Tito is an aspiring artist, and that Miguel is a book-loving scholar. The illustrations also give the story its distinct Spanish-American flair with nods to cultural icons like the “Mona Frida,” hung from Tito’s wall; the Virgin of Guadalupe, framed in Mamá’s house; and a Gabriel García Márquez novel, sitting on Miguel’s shelf. Details make Los Tres Cerdos come alive.

Most importantly, readers will appreciate this non-violent retelling for its commitment to both mercy and justice. The wolf gets to go home alive, penitent but chastised. The pig brothers get to enjoy a delicious southwestern meal together and live in their safe and sturdy adobe houses happily ever after. With exceptional attention to detail in the language, culture, and illustration, this retelling would make a great addition to any library collection.

AWARDS AND REVIEW EXCERPTS

Winner of the 1999 Tomás Rivera Book Award

From Publishers Weekly: “This book offers a spicy retelling of the familiar tale of the three little pigs . . . The excellent illustrations are entertaining, intelligent, and witty, offering lots of visual jokes and cross-cultural references to the likes of Elvis Presley, César Chávez, and Cantinflas . . . Highly recommended for all bookstore and library collections.”

CONNECTIONS

  • Put on a classroom play of the story using the costume suggestions found in the back of the book.
  • Work together to recreate green chile stew using the recipe found in the back of the book or pre-prepare stew and eat it together.
  • Read with other Tomás Rivera Mexican American Children’s Book Award winners:
    • Lomas Garza, Carmen. In My Family/En Mi Familia. ISBN 9780892391639
    • Mora, Pat, and Raul Colón (illustrator). Tomás and the Library Lady. ISBN 9780613283625
    • Morales, Yuyi. Just a Minute!: A Trickster Tale and Counting Book. ISBN 9780811837583
  • Read with other cultural retellings of “The Three Little Pigs.” Then, compare and contrast the retellings together:
    • Brett, Jan. The 3 Little Dassies. ISBN 9780399254994
    • Ketteman, Helen, and Will Terry (illustrator). The Three Little Gators. ISBN 9780807578247
    • Kimmel, Eric A., and Leo and Valeria Docampo (illustrator). The Three Little Tamales. ISBN 9780761455196

*Note—This book review was created as an assignment for a course at Texas Woman’s University.

A Folktale Retold by Eric Kimmel

BIBLIOGRAPHY

Kimmel, Eric A., and Erin Camarca (illustrator). Rattlestiltskin. Portland: WestWinds Press, 2016. ISBN 9781943328383

PLOT SUMMARY

Rattlestiltskin is a southwestern spin on the original German fairy tale, substituting tortillas “so light, they float like clouds” for straw that spins into gold and Don Ignacio, the richest man in town, for the king. Rosalia is the southwestern substitute for the miller’s daughter, and try as she might, she can’t make tortillas float for Don Ignacio until a rattlesnake-wearing man appears. Rosalia offers to do anything he asks in exchange for his secret to making tortillas float, and the man promptly agrees to her terms. When Don Ignacio tastes Rosalia’s new floating tortillas, he is overjoyed and presents her with a life of luxury. Rosalia is carefree—until the rattlesnake man appears again and demands that she become a maid for him and his brothers. Rosalia can only escape her fate if she guesses his name, and after coming up short two days in a row, she runs away. But before Rosalia gets too far, she spots a shack and overhears the rattlesnake man inside say his name—Rattlestiltskin—allowing her to break free of her promise and continue to live her luxurious lifestyle.

CRITICAL ANALYSIS

There are several ways in which Rattlestiltskin shines. The oral readability of the story is fantastic, and readers will especially delight in reciting the square dance song that Rattlestiltskin sings. (“Promenade and don’t be slow. What’s my name? I’ll bet you know . . .”) Kimmel’s almost perfect maneuvering of Spanish words and phrases intermingled with English is also commendable and adds authenticity to the southwestern bent of the story. Plus, illustrations add additional insight into the southwest with brightly colored traditional clothing and the rugged desert landscape of the southwestern wilderness.

Unfortunately, there are also several ways in which Rattlestiltskin flops. Unlike the original miller’s daughter, Rosalia’s plight is never so dire or unfair that readers have much of a reason to root for her. On the other hand, readers don’t have much of a reason to root against Rattlestiltskin. After all, he’s only asking Rosalia to keep her end of their agreement and his request isn’t for anything very unreasonable. Asking her to be the maid at his house is mild when compared with the original Rumpelstiltskin’s evil wish to take away a mother’s baby; it’s one that even seems fair after he’s taught Rosalia his amazing secrets. Furthermore, the man mercifully allows Rosalia to try to guess his name again and again. Thus, when the ever-jolly Rattlestiltskin is rattled to pieces, it seems undeserved, and when the final spread of the story shows a frightening picture of an evil-looking Rattlestiltskin hiding in the rocks, it clashes awkwardly with his upbeat nature. In summary, the lack of high stakes and consistency, and a villain more likable than the heroine left the story feeling half-baked and mediocre.

AWARDS AND REVIEW EXCERPTS

From School Library Journal: “An enjoyable play on an old favorite that will be a sound addition to most picture book collections.”

From Kirkus Reviews: “This adaptation is uneven, fluctuating between clever—the story’s title—and pedestrian—the tale itself.”

From Booklist: “Peppering the book with Spanish vocabulary and phrases, Kimmel adds a multicultural twist through words visually enhanced by first-time illustrator Camarca’s desert landscapes and traditional dress. In spite of noble intentions to add diversity to a well-known story, the result feels a bit awkward, and the art, occasionally almost disturbing.”

CONNECTIONS

Work together to recreate tortillas using the tortilla recipe found in the back of the book or pre-prepare tortillas and eat them together.

Teach the children a simple square dance like the ones found below:

  • https://www.youtube.com/watch?v=1xXePOakJGs
  • https://www.youtube.com/watch?v=fFskdWvq0wk&feature=share
  • https://ourpastimes.com/square-dance-kids-6356669.html

Read with other books by Eric Kimmel and ask children to write about which book is their favorite:

  • Kimmel, Eric A., and Trina S. Hyman (illustrator). Hershel and the Hanukkah Goblins. ISBN 9780823411313
  • Kimmel, Eric A., and Janet Stevens (illustrator). Anansi and the Moss-Covered Rock. ISBN 9780823407989
  • Kimmel, Eric A., and Omar Rayyan (illustrator). Joha Makes a Wish: A Middle Eastern Tale. ISBN 9780761455998

Read with other retellings and versions of Rumpelstiltskin. Then, compare and contrast the retellings together:

  • Zelinsky, Paul O. Rumpelstiltskin. ISBN 9780140558647
  • Stanley, Diane. Rumpelstiltskin’s Daughter. ISBN 9780064410953
  • Hamilton, Virginia, and Leo and Diane Dillon (illustrators). The Girl Who Spun Gold. ISBN 9780590473781

*Note—This book review was created as an assignment for a course at Texas Woman’s University.